Three-time Grammy Award winner Angélique Kidjo is one of the greatest artists in international music today, a creative force with thirteen albums to her name.
Time Magazine has called her “Africa’s premier diva”. The BBC has included her in its list of the continent’s 50 most iconic figures, and in 2011 The Guardian listed her as one of their Top 100 Most Inspiring Women in the World. Forbes Magazine has ranked Angelique as the first woman in their list of the Most Powerful Celebrities in Africa. She is the recent recipient of the prestigious 2015 Crystal Award given by the World Economic Forum in Davos, Switzerland and the 2016 Amnesty International Ambassador of Conscience Award.
As a performer, her striking voice, stage presence and fluency in multiple cultures and languages have won respect from her peers and expanded her following across national borders. Kidjo has cross-pollinated the West African traditions of her childhood in Benin with elements of American R&B, funk and jazz, as well as influences from Europe and Latin America.
The new year brings us Angélique’s newest project, her interpretation of The Talking Heads’ classic 1980 album, Remain in Light. She will record her version of the album with superstar producer Jeff Bhasker (Kanye West, Jay Z, Drake, Beyoncé, Bruno Mars, and Taylor Swift), taking classic songs such as “Crosseyed and Painless,” “Once in a Lifetime,” and “Born Under Punches (The Heat Goes On)” and reinterpreting them with electrifying rhythms, African guitars, and layered backing vocals. Angélique will bring this musical extravaganza to concert halls and festivals across the globe including a premier performance at Carnegie Hall and U.S. festival debut at Bonnaroo in 2017.
Her star-studded album DJIN DJIN won a Grammy Award for Best Contemporary World Album in 2008, and her album OYO was nominated for the same award in 2011. In January 2014 Angélique’s first book, a memoir titled Spirit Rising: My Life, My Music (Harper Collins) and her twelfth album, EVE (Savoy/429 Records), were released to critical acclaim. EVE later went on to win the Grammy Award for Best World Music Album in 2015, and her historic, orchestral album Sings with the Orchestre Philharmonique Du Luxembourg (Savoy/429 Records) won a Grammy for Best World Music Album in 2016.
Angelique has gone on to perform this genre-bending work with several international orchestras and symphonies including the Bruckner Orchestra, The Royal Scottish National Orchestra, and the Philharmonie de Paris. Her collaboration with Philip Glass, IFÉ: Three Yorùbá Songs, made its US debut to a sold out concert with the San Francisco Symphony in June 2015. In addition to performing this new orchestral concert, Angelique continues to tour globally performing the high-energy concert she’s become famous for with her four-piece band. Her rousing live show was recently captured at the revered Austin City Limits and made its television debut in January 2016.
After rising to international success with the release of her chart-topping 1991 album, Logozo, West African singer Angélique Kidjo became a fixture of world music, pairing her unique multilingual fusion of Afrobeat, pop, jazz, reggae, and various African traditions with collaborators who span multiple genres of music, from Philip Glass and the Kronos Quartet to Peter Gabriel, Alicia Keys, Dr. John, and Branford Marsalis. After leaving her native Benin for Paris, Kidjo recorded a string of critically acclaimed albums for Island Records in the ’90s, followed by an ambitious trilogy that saw her exploring African music’s influence in the Americas, from gospel to Brazilian and Latin. Her adventurous spirit and collaborative nature have been hallmarks of her career, while a deep-rooted sense of her Beninese and West African heritage has remained a through-line in all of her recordings, from 2007’s star-studded Djin Djin to 2014’s culturally rich Eve, both of which earned her Grammy Awards. A veteran of stages around the world, from major festivals to concert halls and clubs, Kidjo has been hailed for her creative diversity and willingness to push the envelope. Fluent in Fon, French, Yorùbá, Gen, and English, as well as a personal language she developed, she is known to sing in multiple languages — often within the same song. Also known for her advocacy, Kidjo has served as a UNICEF Goodwill Ambassador, campaigned for OXFAM, and created the Batonga Foundation, which provides secondary school and higher education to girls in Benin and other West African nations.
The daughter of an actress, dancer, and theatrical producer, Kidjo was born in Ouidah, a coastal city in the West African country of Benin. Inheriting her mother’s love of performing, she made her stage debut with her mother’s theatrical troupe. Inspired by a wide variety of music, from African artists like Fela Kuti and Miriam Makeba to the rock, pop, and soul of Jimi Hendrix, Santana, James Brown, and Aretha Franklin, she was singing professionally by her 20th birthday. She recorded her debut album, Pretty (produced by Cameroon-based vocalist Ekambi Brilliant), in 1981; it yielded the hit single “Ninive.” Although the album’s success allowed for some more widespread touring of West Africa, the oppressive political environment of Benin eventually led her to relocate to Paris in 1983. Working her way up from backup singer gigs to fronting Jasper van’t Hof‘s Euro-African jazz/rock outfit Pili Pili, Kidjo recorded three albums with the group before striking out on her own again with 1990’s Parakou on the Open Jazz label. Based on both her solo record and work with Pili Pili, she came to the attention of Island Records’ Chris Blackwell, who signed her in 1991.
Produced by Miami Sound Machine drummer Joe Galdo, Kidjo‘s Island debut, Logozo, was a major success and served to introduce her to a global audience. Released in 1991, the album’s combination of dance music, pop, and African beats, as well as appearances by Branford Marsalis and Cameroonian saxophonist Manu Dibango, helped it top Billboard’s World Music chart. Following several years of world tours and major festival appearances, Kidjo headed to Prince‘s Paisley Park Studio to work with producer David Z on her follow-up album. Released in 1994 and co-produced at London’s Soul to Soul studio by Will Mowat, Ayé yielded the hit single “Agolo,” which would earn Kidjo her first Grammy nomination thanks to its innovative video.
Although modern technology and electronics played an important role in the recording of her first three albums, Kidjo returned to her traditional roots for 1996’s Fifa. Armed with eight-track tape recorders and microphones, Kidjo and a team of engineers traveled to Benin to record traditional musicians, singers, and dancers. The album was completed during recording sessions in Paris, London, Los Angeles, and San Francisco. Her next album, 1998’s Oremi, was the beginning of a trilogy of albums that explored the influence of African music in the Americas. Incorporating elements of hip-hop, soul, and jazz, Oremi focused on North America and featured a reconstructed interpretation of Jimi Hendrix‘s “Voodoo Child (Slight Return)” as well as guest spots from soul singer Cassandra Wilson, R&B singer Kelly Price, and jazz pianist Kenny Kirkland. For 2002’s Black Ivory Soul, Kidjo traveled to Salvador de Bahia, where her blend of Afro-Brazilian culture included contributions from Carlinhos Brown, Vinicius Cantuária, and American singer/songwriter Dave Matthews. It also marked her first release on the Columbia label. Completing the trilogy, 2004’s Oyaya! saw her working with Los Lobosmember/producer, Steve Berlin, on an album that paired African guitar styles with Caribbean and Latin styles. Switching to the Razor & Tie label, Kidjo was joined by various popular singers from around the world on 2007’s Tony Visconti-produced Djin Djin, including Josh Groban, Peter Gabriel, Amadou & Mariam, and Ziggy Marley. Djin Djin was rewarded a year later with a Grammy award for Best Contemporary World Music album. A second Razor & Tie album, Õÿö, followed in 2010 and featured an eclectic assortment of cover songs from traditional Beninese material to ’70s soul music and even Bollywood. Guest artists included Roy Hargrove, John Legend, Bono, and Dianne Reeves.
Spirit Rising, a CD and DVD representation of an uplifting live special Kidjo taped at WGBH studios, appeared in 2012 and included songs from throughout her career. Dedicating her ambitious 2014 album, Eve, to the resilience of women in Africa, Kidjo traveled around the continent capturing field recordings of women singing which she then incorporated into the album’s songs. Eve topped Billboard’s World Music charts and earned her another Grammy Award for Best World Music Album. 2014 proved to be a banner year for Kidjo with the publication of her memoir, Spirit Rising, and the live debut of IFÉ: Three Yoruba songs for Angelique Kidjo and the Orchestre Philharmonique Du Luxembourg, which was composed for her by Philip Glass. A second collaboration with the same orchestra yielded 2015’s Sings, conducted by Gast Waltzing. The album featured new adaptations of her own songs — as well as a choice selection of covers — in a lush, 110-piece orchestral setting fronted by the singer and her band. For her next project, Kidjo worked with pop producer Jeff Bhasker on a full-album cover of Talking Heads‘ 1980 classic Remain in Light. Released in 2018, Kidjo‘s reimagined version — often sung in different West African languages — featured performances from Vampire Weekend‘s Ezra Koenig, Tony Allen, Blood Orange, and the horn section of Antibalas